Friday 9 September 2011

Kristin Chenoweth's Personal Life

Kristin Chenoweth (born July 24, 1968) is an American singer and actress, with credits in musical theatre, film and television. She is best known on Broadway for her performance as Sally Brown in You're a Good Man, Charlie Brown (1999), for which she won a Tony Award, and for originating the role of Glinda in the musical Wicked (2003). Her best-known television role is Annabeth Schott in NBC's The West Wing. As Olive Snook on the ABC comedy-drama Pushing Daisies, she won a 2009 Emmy Award.
An Oklahoma native, Chenoweth sang gospel music as a child and studied opera before deciding to pursue a career in musical theatre. In 1997, she made her Broadway debut in Steel Pier. Besides You're a Good Man, Charlie Brown and Wicked, Chenoweth's stage work includes five City Center Encores! productions, Broadway's The Apple Tree in 2006 and Promises, Promises in 2010, as well as Off-Broadway and regional theatre productions.
Chenoweth had her own TV series Kristin in 2001, and has guest starred on many shows, including Sesame Street and Glee, for which she was nominated for Emmy awards in 2010 and 2011. In films, she has played mostly character roles, such as in Bewitched (2005), The Pink Panther (2006) and RV (2006). She has also played roles in made-for-TV movies, done voice work in animated films and the animated TV series Sit Down, Shut Up, hosted several award shows and released several albums of songs, including A Lovely Way to Spend Christmas (2008). Chenoweth also penned a memoir, A Little Bit Wicked: Life, Love, and Faith in Stages.
In 2009, Chenoweth wrote a memoir entitled A Little Bit Wicked: Life, Love, and Faith in Stages,describing her adoption, her turn in Wicked and her time in Hollywood. She has stated that the book is not a "tell all", and instead focuses on "how I got where I am so far". The book was released on April 14, 2009. The book spent two weeks on The New York Times Best Seller List.
She has spoken publicly about her religious faith; she describes herself as a "non-judgmental, liberal Christian". Raised as a Southern Baptist, she later chose to have a personal connection to a faith that is not based in any one denomination.
According to The New York Times, when Chenoweth "assured her theater fans that she supports gay rights her Christian base was outraged; she was disinvited from performing at a Women of Faith conference in September 2005." Chenoweth released an album in April 2005 called As I Am, a mixture of hymns and contemporary Christian music, with adult contemporary arrangements. To promote the album, she made an appearance on The 700 Club that upset some of her gay fans. She later said she thought that the "Pat Robertsons and Jerry Falwells of the world are scary" and that she regretted appearing on the show.
She dated producer/writer Aaron Sorkin. In Sorkin's Studio 60 on the Sunset Strip, the character of Harriet Hayes bears significant resemblances to Chenoweth, and the relationship between the Christian Hayes and "East coast liberal Jewish atheist" (her description) Matt Albie is modeled after that of Chenoweth and Sorkin. For example, Chenoweth's decision to appear on The 700 Club and her falling out with Women of Faith were depicted with the Hayes character.
Chenoweth has Ménière's disease, an inner-ear disorder that can cause vertigo, headaches and nausea, among other symptoms. She has said that, during some performances, she has had to lean on her co-stars to keep her balance and that it has caused her to miss performances.
In May 2010, Chenoweth wrote in response to an article in Newsweek by Ramin Setoodeh, an openly gay writer. Setoodeh thought that her Tony-nominated Promises, Promises co-star, Sean Hayes, "comes off as wooden and insincere" in playing the straight character Chuck, and that Jonathan Groff has a similar credibility problem in the TV show Glee. He questioned whether any openly gay actor could acceptably portray a straight character. Chenoweth called the article "horrendously homophobic" and criticized Setoodeh's view as rationalizing "the same kind of bullying" that gay youths face in high school. Chenoweth argued that audiences "come to the theater to go on a journey" and do not care about an actor's sexual orientation. The story was picked up approvingly by major media including The New York Times and the Los Angeles Times.

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